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Theatre, education and the making of meanings

Art or instrument?

By Anthony Jackson

Theatre, education and the making of meanings

ALSO AVAILABLE IN OTHER FORMATS:

  • Hardcover

Book Information

  • Format: Paperback
  • ISBN: 978-0-7190-6543-9
  • Pages: 320
  • Publisher: Manchester University Press
  • Price: £16.99
  • Published Date: October 2007
  • BIC Category: Theatre Direction & Production, The arts / Theatre studies, PERFORMING ARTS / Television / History & Criticism, Television, Theatre studies, Theatre Studies

Description

This book is a study of theatre's educational role during the 20th and the first years of the 21st centuries. It examines the variety of ways the theatre's educational potential has been harnessed and theorised, the claims made for its value and the tension bettween theatre as education and theatre as 'art': between theatre's aesthetic dimenstion and the 'utilitarian' or 'instrumental' role for which it has so often been pressed into service.

Following a preliminary discussion of some key theoretical approaches to aesthetics, dramatic art and learning and, above all, the relationships between them, the study is organised into two broad chronological periods: early developments in European and American theatre up to the end of World War II, and participatory theatre and education since World War II. Within each period, a cluster of key themes is introduced and then re-visited and examined through a number of specific examples - seen within their cultural contexts - in subsequent chapters. Topics covered include an early use of theatre to campaign for prison reform; workers' theatre, agit-prop and American living newspapers in the 1930s; theatre's response to the dropping of the atom bomb in 1945; post-war theatre in education; theatre in prisons; and the use of performance in historic sites.

Author

Anthony Jackson is Professor of Educational Theatre at the University of Manchester

Contents

LIST OF ILLUSTRATIONS, DIAGRAMS AND TABLES
INTRODUCTION
Chapter 1. Theatre, Learning and the Aesthetic Dimension. Preliminary perspectivesEARLY WARNINGS: THEATRE TO 1947
Chapter 2. Prelude: New Drama, new audiences
Chapter 3. Agitating the audience: Theatre, propaganda and education: Radical n the 1930s
Chapter 4. Theatre and the challenge of Science, 1936-37
POST-WAR: THEATRE, LEARNING & PARTICIPATION
Chapter 5. Participatory Theatre: Audience participation and aesthetic distance
Chapter 6. Participatory Theatre: Positioning the audience - framing the dramaChapter 7. Creative Gaps: the Didactic and the Dialogic
Chapter 8. Targets and Outcomes - and Playfulness
Chapter 9. Inter-acting with the Past
AFTERWORD
BIBLIOGRAPHY & OTHER SOURCES

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