Theatre: theory - practice - performance
About the series
This series will offer a space for those
people who practise theatre to have a dialogue with those who think and write
about it. The series has a flexible format that
refocuses the analysis and documentation of performance. It provides, presents
and represents material which is written by those who make or create
performance history, and offers access to theatre documents, different
methodologies and approaches to the art of making theatre.
The books in the series are aimed at
students, scholars, practitioners and theatre-visiting readers. They encourage
reassessments of periods, companies and figures in twentieth-century and
twenty-first-century theatre history, and provoke and take up discussions of
cultural strategies and legacies that recognise the heterogeneity of
performance studies.
The series editors, with the advisory board, aim to publish innovative challenging and exploratory texts from practitioners, theorists and critics.
Series editors: Maria M. Delgado & Peter Lichtenfels
This series is within the Literature subject area.
‘Love me or kill me’
The politics of Jean Genet's late theatre
Making contemporary theatre