Staging the revolution
Drama, reinvention and history, 1647-72
By Rachel Willie
Book Information
- Format: eBook
- ISBN: 978-1-7849-9614-7
- Published Date: October 2015
Description
Staging the revolution offers a reappraisal of the weight and volume of theatrical output during the commonwealth and early Restoration, both in terms of live performances and performances on the paper stage. It argues that the often-cited notion that 1642 marked an end to theatrical production in England until the playhouses were reopened in 1660 is a product of post-Restoration re-writing of the English civil wars and the representations of royalists and parliamentarians that emerged in the 1640s and 1650s. These retellings of recent events in dramatic form mean that drama is central to civil-war discourse. Staging the revolution examines the ways in which drama was used to rewrite the civil war and commonwealth period and demonstrates that, far from marking a clear cultural demarcation from the theatrical output of the early seventeenth century, the Restoration is constantly reflecting back on the previous thirty years.
Reviews
'Rachel Willie's Staging the Revolution is an exceptional book. A polished piece of clear argumentation and persuasive writing on a notoriously undervalued and understudied period of English theatrical history, the Interregnum and the responses to the Civil War on the Restoration stage, this text is one of the best new books of the year.This exquisitely researched book shifts the ground of analysis of this period in a way that will be felt for years to come.'
Andrew Bretz, Wilfrid Laurier University, Shakespeare Bulletin, Volume 35, Number 1, Spring 2017
Awards
2016
Shortlisted for the University English Early Career book prize 2016