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Performance art in Eastern Europe since 1960

By Amy Bryzgel

Performance art in Eastern Europe since 1960

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Book Information

  • Format: Paperback
  • ISBN: 978-1-7849-9422-8
  • Pages: 384
  • Publisher: Manchester University Press
  • Price: £18.99
  • Published Date: February 2017
  • BIC Category: Performance art, Ceramic & glass: artworks, DRAMA / European / General, PERFORMING ARTS / General, PERFORMING ARTS / Theater / General, Eastern Europe, The Arts: General Issues, Art History, History, Theatre studies, Performing arts, The arts: general issues, The arts / Theatre studies, The arts / Performance art
  • Series: Rethinking Art's Histories

Description

This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.

Reviews

'By highlighting an instance in which documentation functioned as a substitute for presence, Bryzgel weighs in on art-historical debates regarding the relationship between live art and photography. It is at moments like this that Performance Art inEastern Europe since 1960 most succeeds in its stated aim of 'looking not from the centre to the periphery but the reverse, to see how such an approach might not only challenge but also overturn perceptions regarding art history, artistic styles, and the canon' (p. 5).'
Michelle Maydanchik, University of Pittsburgh, Slavonic and East European Review (vol. 95, no. 4, October 2017)

Author

Amy Bryzgel is Senior Lecturer in Film and Visual Culture at the University of Aberdeen

Contents

Introduction
1. Sources and origins
2. The body
3. Gender
4. Politics and identity
5. Institutional critique
Epilogue
Select bibliography
Index

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