- Format: Hardcover
- ISBN: 978-1-5261-1994-0
- Pages: 264
- Publisher: Manchester University Press
- Price: £75.00
- Published Date: May 2018
- BIC Category: Art History, ART / History / General, Humanities / Social & cultural history, The arts / History of art & design styles: c 1600 to c 1800, The arts / History of architecture
- Series: Studies in Design and Material Culture
Taking a cue from revisionist scholarship on early modern vernacular architectures and their relationship to the classical canon, this book rehabilitates the reputations of a representative if misunderstood building typology - the eighteenth-century brick terraced house - and the artisan communities of bricklayers, carpenters and plasterers responsible for its design and construction. Opening with a cultural history of the building tradesman in terms of his reception within contemporary architectural discourse, chapters consider the design, decoration and marketing of the town house in the principal cities of the eighteenth- and early nineteenth-century British Atlantic world. The book is essential reading for students and scholars of the history of architectural design and interior decoration specifically, and of eighteenth-century society and culture generally.
'This is a fine book about the significant role of artisan house builders as architectural designers in the later Georgian period. When they did not exit their trades to become what earlier historians have ranked as 'architects', these artisan builders have remained shadowy figures. Ranging widely and with an even-handed command of material from both sides of the British Atlantic, especially giving Dublin due weight, Conor Lucey illuminates these people and their contributions to architectural design with insight, detail, clarity and humour.'
Peter Guillery, Bartlett School of Architecture, London
'Lucey's fascinating book explores the role of the artisan in the still somewhat mysterious design processes behind the creation of the urban terraced house. Based on extensive new research it will enable us to place artisan-builders alongside other well-known designer-makers - such as print, furniture or ceramic specialists - in the period. Histories to date have focussed on the tradesman's role in the construction of town houses but Lucey makes a compelling argument for their contribution to the design and decoration of both exteriors and interiors. In doing so he extends existing scholarship in exciting new directions enabling us more fully to understand the workings of the building trade across the second half of the long eighteenth century. The book's scope is transatlantic and crucially Ireland for the first time, alongside England and America, is brought into discussions on the inter-connections across the eighteenth-century Atlantic building world.'
Elizabeth McKellar, The Open University
Conor Lucey is Assistant Professor in the School of Art History & Cultural Policy at University College Dublin
Introduction: a new apology for the builder
1 Building reputations: a genteel life in trade
2 Designing houses: the façade and the architecture of street and square
3 Decorating houses: style, taste and the business of decoration
4 Building sales: advertising and the property market
Conclusion: the builder rehabilitated?