- Format: Hardcover
- ISBN: 978-1-5261-1334-4
- Pages: 448
- Publisher: Manchester University Press
- Price: £95.00
- Published Date: January 2017
- BIC Category: LITERARY CRITICISM / Poetry, Literary studies: poetry & poets, Literature & literary studies / Literary studies: poetry & poets
- Series: Angelaki Humanities
This book is concerned with the complexities of defining 'place', of observing and 'seeing' place, and how we might write a poetics of place. From Kathy Acker to indigenous Australian poet Jack Davis, the book touches on other writers and theorists, but in essence is a hands-on 'praxis' book of poetic practice. The work extends John Kinsella's theory of 'international regionalism' and posits new ways of reading the relationship between place and individual, between individual and the natural environment, and how place occupies the person as much as the person occupies place. It provides alternative readings of writers through place and space, especially Australian writers, but also non-Australian. Further, close consideration is given to being of 'famine-migrant' Irish heritage and the complexities of 'returning'. A close-up examination of 'belonging' and exclusion is made on a day-to-day basis. The book offers an approach to creating poems and literary texts constituted by experiencing multiple places, developing a model of polyvalent belonging known as 'polysituatedness'. It works as a companion volume to Kinsella's earlier Manchester University Press critical work, Disclosed Poetics: Beyond Landscape to Lyricism.
'The collection of critical essays, journal entries and poems, concerned with the complexities of defining 'place', ways of seeing and a poetics of place, explores his praxis in Jam Tree Gully, near Western Australian wheatbelt, the Mizen head peninsula, west Cork, and at Churchill College, Cambridge. He argues that one's place-identification is polyvalent and that place is a paradoxical condition of presence in recognition that individuals occupy many spaces at once and that no place is isolated from others. His engagement with displacement, the politics of making poems out of place, migration, and concern with animal, land and human rights radically challenges and offers a feast for the reader.'
Tears in the fence Issue 66
'This work [...] is extraordinarily timely, and capable of stirring fruitful, productive reflection and action on how our capacity and capability with language can affect and interact with our place in the natural and social environment, the ecosphere.'
'The result is a book that provides so much to think about regarding our social, cultural, and political relationships to the world, that one picks it up and reexamines it over time, not only because of its 428 pages, including a rich bibliography, but also because of Kinsella's creative use of language. There is pleasure in engaging his vocabulary and looking up the words for poetic forms or geological formations-concretions, djitty-djitty, boustrophedon.'
Wendy Singer, Kenyon Review September 2018
John Kinsella is Professor of Literature and Sustainability at Curtin University and a Fellow of Churchill College, Cambridge University
Media, Creative Arts and Social Inquiry: 2018 Niall Lucy Award
Humanities Research Awards 2018: Humanities Book of the Year
Preface / synopsis
1. On place itself
2. Where we are
3. Displaced acts of writing
4. Sublimated displacements in read texts
6. Weirding place / Antibucolic