- Format: Paperback
- ISBN: 978-1-5261-0653-7
- Pages: 256
- Publisher: Manchester University Press
RRP £19.99, NOW £19.99
- Published Date: September 2016
- BIC Category: Art History, Non-graphic art forms, History of art, SCIENCE / Life Sciences / Biology, ART / History / Modern (late 19th Century to 1945), ART / Sculpture & Installation, ART / History / General, The arts / History of art / art & design styles
What does it mean for a sculpture to be described as 'organic' or a diagram of 'morphological forces'? These were questions that preoccupied Modernist sculptors and critics in Britain as they wrestled with the artistic implications of biological discovery during the 1930s. In this lucid and thought-provoking book, Edward Juler provides the first detailed critical history of British Modernist sculpture's interaction with modern biology. Discussing the significant influence of biologists and scientific philosophers such as D'Arcy Wentworth Thompson, Julian Huxley, J. S. Haldane and Alfred North Whitehead on interwar Modernist practice, this book provides radical new interpretations of the work of key British Modernist artists and critics, including Henry Moore, Barbara Hepworth, Paul Nash and Herbert Read. Innovative and interdisciplinary, this pioneering book will appeal to students of art history and the history of science as well as anyone interested in the complex, interweaving histories of art and science in the twentieth century.
'This thought-provoking and original study reveals the ways in which scientific discussions in biology informed conceptions of sculptural form in 1930s Britain. It enables us to see the organic and nature-inspired configurations of modern sculpture with fresh eyes, as life forces played out in space and time. Analysing in detail the broader cultural context of the production of form in nature in this period, Juler provides close readings of key concepts in biological thinking and practice, such as morphology, embryology, organicism and microphotography, showing their crucial impact on artistic and cultural discourse.'
Julia Kelly, Loughborough University
Edward Juler is Lecturer at Newcastle University
1. Bridging the two cultures: relations between art and science in the 1930s
3. Organismal composition
4. The morphology of art
5. Worlds beneath the microscope