- Format: Paperback
- ISBN: 978-0-7190-7781-4
- Pages: 288
- Publisher: Manchester University Press
- Price: £15.99
- Published Date: June 2018
- BIC Category: Television Studies, Television, PERFORMING ARTS / Television / History & Criticism, The arts / Television
- Series: The Television Series
This book assesses Joss Whedon's contribution to US television and popular culture. Examining everything from his earliest work to his most recent tweets and activist videos, it explores his complex and contradictory roles as both cult outsider and blockbuster filmmaker. Crucially, the book insists on the wider industrial, technological, political and economic contexts that have both influenced and been influenced by Whedon, rejecting the notion of Whedon as isolated television auteur.
Using key source material, with exclusive access to drafts of many of the episodes across Whedon's career, as well as unique correspondence with Whedon collaborator Jane Espenson, this book offers unparalleled access to the creative process that helped produce the series Buffy the Vampire Slayer, Angel, Dollhouse and Firefly. Energetic, engaging and informed by detailed scholarship and theoretical rigour, the book is not just an essential addition to the study of Whedon, but a timely and important re-invigoration of television studies in general.
Matthew Pateman is Head of Department of Media at Edge Hill University and Professor of Contemporary Popular Aesthetics
1. 'Buffy is the Slayer. Don't tell anyone': Creating a cultural phenomenon: the first three years of Buffy
2. 'How do you know what this guy's gonna do?' Producing worlds, changing worlds 1999-2004
3. 'There are so many things I'd like to be': Multi-media polymath and rise of mainstream cult 2005-17
4. 'I must say, it's a delightful change to have someone else around who can explain these matters': Narrative and genre: the exposition scene in Buffy
5. 'I love a story with scope': Narratives in Angel: cross overs, complexity and conclusions
6. 'Come with me now, if you will, gentle viewers': Non-Whedon scripted episodes: Jane Espenson, popular culture and authorship
7. 'Why'd this get so complicated?' Narrative and televisual analysis: a brief excursus using Firefly
8. 'I can bring back the world': Dollhouse: narrating the tabula rasa
Coda: 'I'm not done baking'
Appendix 1: Jane Espenson correspondence
Appendix 2: Definitive guide to Whedon output week-by-week